Showing posts with label cars. Show all posts
Showing posts with label cars. Show all posts

Friday, January 8, 2010

Venable's Stude

Just before Christmas, I finished up this concept illustration for a client I had worked with in the past. Charles Venable is a customer of my Dad's hot rod/custom shop, and he's an avid land speed racer.

Venable and my Dad are building this 1953 Studebaker to run at a few East Coast courses, and there are plans to take it to Bonneville this summer and attempt at breaking a record.

(For those who aren't familiar with land speed racing, this is all about miles per hour. The "course" is a long, flat straight ranging any where from one mile on up, with another length of track to slow back down. One car on the course at a time; see how fast you can go. If you saw the movie, World's Fastest Indian, you have seen what LSR is.)

The purpose of this illustration was to work out the scheme for the scallops on the front section of the car. The car itself will be painted satin black, with gloss red scallops. (They say this pint job is good for an extra two or three miles per hour!)

This project was done entirely - from initial sketch to finished art - in Photoshop CS4.




Venable has a Photobucket album showing photos of the actual build. Click here to see the progress (and some photos and video of his '34 Ford Vicky that he currently races).

Wednesday, December 9, 2009

Ramrods web site

One of my repeat clients just got their web site pushed live. Head over to www.ramrodstx.com and check them out.

I did the graphics, and Billy at Ramrods built the site himself.

They are a full-service hot rod, custom car, and restoration shop located in Terrell, TX.

These guys are an absolute pleasure to work with. If you need some custom work done, be sure to give them a call!


Wednesday, November 4, 2009

Ancillary Creativity

It's been a few weeks since I've posted, and as I was listening to the latest podcast from Escape From Illustration Island earlier today, Thomas James put out the challenge to blog about other creative endeavors. (BTW, EFII is quickly becoming my favorite podcast.)

I know many working designers and illustrators are also musicians on some level. That's one talent God chose not to bless me with. I've tried playing guitar and bass in my college years, but it was very mechanical... sort of a musical equivalent of color-by-number. And I couldn't hit a correct vocal note no matter how hard I try. I love listening to music, but I just can't make it!

Some visual artists write poetry or prose to keep their creative juices flowing.

Others get into photography and perhaps even shoot weddings or something for a few extra weekend dollars.

You get the idea.

If you've been around me for more than a couple minutes, you know I'm into old cars in a pretty strong way. One thing I've been fascinated with is how much creativity goes into building a classic American hot rod or custom car.

I really started to notice it when I took a brief hiatus from working full-time as a commercial artist to work with my Dad at his hot rod shop. It was really amazing how I found myself using many of the same genre of problem-solving skills while working on all that old American iron.

On building the car, maybe I need a way to gusset that chassis crossmember and still leave room for a fuel line and exhaust. Maybe that fuse panel needs to be as out-of-sight as possible, yet not out-of-reach.

Then when we start into re-shaping the exterior sheet metal, things almost become sculpture. Much like graphic design needs to balance form with function, so does re-designing a car.

So yeah, building my 1952 Chevrolet Fleetline is a creative endeavor.It doesn't look like much now... but it's getting there.


Tuesday, September 29, 2009

Gene Winfield class


This past weekend I had the privilege of attending the Gene Winfield Custom Metalworking class hosted by Hatfield Restorations in Canton, TX. I gotta say, this was one of the most fun car events I can remember attending!

In case you don't know who Gene is, he is pretty famous in car-customizing circles for being one of the most active car builders the "hobby" has ever known. He had already made a name for himself by the mid-1950's, and continues to work circles around guys a quarter of his age. To put things in perspective, Winfield is to the custom car world as Jack Nicklaus and Arnold Palmer put together are to golf.

There are a number of really talented metalworkers around, but one thing that sets Winfield apart is how well he shares his talent. He goes beyond just demonstrating what he's good at; he tells his students the hows and whys of what he's doing while he's doing it.

As for my experience with the class, I really learned a lot. I probably ought to have taken better notes, but I'm afraid I would have missed something if I would have been jotting something down while he was talking. Winfield would spend some time talking and drawing on a white board expaining some handy homemade tools to make, or where to cut certain cars when you chop the top... sort of like a classroom setting. Then, almost stream-of-conscious-style, he'd go over to the workbench and demonstrate some handy technique. He made it all look so easy!

The rest of the time was spent chopping the top on a '53 Chevy 210 owned by one of the Hatfield Restorations staff. Pete's Chevy really went under a major transformation in the two days... and he's got some really cool stuff planned for the car. Definitely keep your eyes out for this one, guys!

One of the things that several of us "students" were commenting on was how precise Winfield would be on some things, while other aspects of his work were much more carefree. I know there were several panels I probably would have spent more time fitting, but he just got them close with the intention of leading over it all. He makes a good point that some shortcuts are acceptable to get the work out the door more quickly (provided they won't cause any problems down the road), but he makes it clear that there are some things you just don't cut corners on.

A few quick things I learned from the class:
  • How to light an acetylene torch off someone else's MIG welding arc.
  • You should never hit a hammer with another hammer... unless you think it would be the easiest way to get the results you're after.
  • I can actually work lead without it running off the car and onto the floor
  • I'm not hitting the weld hard enough when I'm hammerwelding. (And I hit it a lot harder than most people I've seen do it!)
  • I need a really high-crown body hammer.
  • A chunk of railroad track has loads of uses.
  • You don't need expensive tools to do some serious metalshaping.
  • Gene Winfield is an 83-year-old teenager.
If you ever get the opportunity, I highly recommend this class... but if you're gonna get the most out of it, you'll need to be aggressive. If you can't see what Winfield is doing, get where you can... stand on a chair, walk around to the other side of the workbench, whatever. He won't invite you up there, but if you come in close, he will welcome you.

Lastly, I'd like to thank Gary Hatfield and his staff for hosting the event at their shop and letting us use their tools and resources all weekend.